digitalmason

...mostly photos 

My White Balance workflow in Lightroom

I have been asked how I handle White Balance in Lightroom, so i thought I would post a detailed explanation to help others.  As I mentioned in my previous post (http://digitalmason.posterous.com/whitebalance), I work to take a test image of my neutral grey card at each location, and when the light changes dramatically (heavy overcast, or several hours later in a shoot).

While my Canon 40D has a 'custom White Balance' setting, I rarely use it.  This setting allows you to take a shot of your neutral target, and then use that target, in the camera, to configure the White Balance setting for shots taken.  This is certainly convenient, but this must be done each time you shoot a new White Balance target, and please, don't do as I have done and forget that the camera is on custom White Balance, using a wrong White Balance on a different shoot the next day!

For this reason, and due to the fact that I find my workflow much more flexible and productive, I simply leave the camera on AWB, and shoot away.  For the record, I shoot RAW only.

The WorkFlow:

As I mentioned before, I shoot an occasional target as I progress through my shoot. I typically throw my target on the ground, ensuring it is in similar light to my subjects.  When I get home, I load all the images into Lightroom,  and then find my target shoots. It looks something like this, with my target shoot in the top right corner. All shots after this target were taken in a similar location as that target, so they all share similar light conditions to the target.

Next, I go into the Develop Module with the image of the neutral target.  Within the Develop Module, I open the 'Basic' tools box on the right, and select the "White Balance Selector tool" or eyedropper. You can also hit the 'W' key as a shortcut.  Drag the dropper to your neutral target and click.  You have now adjusted the White Balance of this image, setting neutral equivalent to your target:

After setting the White Balance, you next need to copy these White Balance settings to all the other images taken in similar location at a similar time.  So, first we copy the settings:  right click on the image in the center window, choose "Settings", then "Copy Settings". This will bring up a box with all the settings you can copy, but in this case, be sure that only 'White Balance' is checked:

   
Click here to download:
My_White_Balance_workflow_in_L.zip (1008 KB)

Finally, you are ready to apply these setting to all your images. Return to the Library Module, then get into Grid view (G).  Select all the images.  For me, that is all the pictures that follow the neutral target shot, up to the next neutral target shot (see, its foolproof).  Once selected, right click on the main grid view and choose "Develop Settings" (no idea why it is different than the Develop Module).  Choose "Paste settings" and away it will go, applying your White Balance settings to all your selected images.  

And you are done, enjoy your perfect White Balance!  

I hope this was of help, and that you can begin making your editing workflow much more efficient. 

Thanks for reading

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Lucky sunlight

While taking pictures of my daughters swim meet (pictures only I as her parent really appreciate, for others it looks dreadful and boring), I walked across to the other pool, and my nephew popped up from under the water.

Just then, the clouds parted, and the wonderful light from the setting sun hit him square in the face...what perfect lighting.

Unfortunately, my whitebalance card shot (see below) was not taken in the same light, so I have struggled with the whitebalance. I purposefully made this a bit warmer than usual, since the way I remember the light was this very warm light on his face.

What do you think? too orange?

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WhiteBalance

One workflow saver for me has been to include a whitebalance reference in my shots. I simply correct for whitebalance in Lightroom by clicking the target with the eyedropper, and then Choose 'Develop Settings>Copy Settings" and selecting Whitebalance only in the checkbox. I then simply paste these develop settings to all related pictures back in the Library grid view.
 
This far better than using the auto setting on the camera, and it provides for consistent results even as the light changes per your location.
 
My tool of choice is WhiteBal, but there are plenty of others around. Many choose a white towel or even piece of paper, but the trick is to be consistent. (not sure a washed towel or a piece of paper would ever be consistent) Canon says to shoot something white, but I have found no perceptual difference in choosing the white patch vs the larger grey area of the WhiteBal, so I simply stick with the grey portion of the WhiteBal.

 

Rawworkflow.com, makers of WhitBal
Also available from B&H, my preferred photography shop, and where I purchased mine

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Portraits and kids: like oil and water

Took some portraits  down in Hilton Head. Originally we intended the beach as our location, but it was much too windy, so the alternative was a local lake. We waited for dusk, which proved ideal light, though I found the yellow light not very helpful for skin tones.

This image is a favorite, I wish I had 1) taken more shots, and 2) insisted the kids smile and focus on the camera. (yes I know, they have trees growing out of their heads)

This was taken with my all-time favorite 70-200 f4L lens, and it has just spectacular colors, and amazing sharpness. Unfortunately sharpness would be much improved with a higher shutter speed or preferably, a tripod. Of course I had/did neither.

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Spring has sprung

A recent photo outing to Duke Gardens just as spring was beginning here in NC. I went early to capture the dogwoods and redbuds, and was not disappointed.
 
A nice surprise were full tulip gardens, which I attempted to capture. A few things I need to remember:
 
1) When shooting landscape, make liberal use of landscape orientation. For some reason I prefer the in-viewfinder composition of portrait orientation, but for landscapes, landscape orientation works better. See the tulip shots for a visual reference
 
2) Remember to stop down the aperture when shooting close up. These same tulip shots would have benefitted from more depth of field.
 
3) Get a new tripod! my current cheapo POS was a serious liability, nearly impossible to set up, move and get level. However, a POS tripod is better than no tripod, and it made possible many twilight images where the colors really pop.

           
Click here to download:
Spring_has_sprung.zip (23570 KB)

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Birds of spring

It was nice and warm this weekend, and the birds were making good use of the birdfeeder. I thought I would take advantage of them, and take some shots just off my deck. Heck any excuse just to mess around with the camera. Anyway, a few keepers out of the bunch.
 
Lessons for this shoot:
 
1)pay attention to the shutter speed dummy!: shooting at 200mm means you must remember to up the shutter speed to 1/200th or you will pay with the blurries.
 
2) shoot a white balance shot dummy! Without it, my white balance is all over the place, especially as the sun was going down, and the color temp changing rapidly.

             
Click here to download:
Birds_of_spring.zip (14919 KB)

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Lemons into Lemonade

Shot my nephew's basketball game, and of course, there was not enough available light. I pushed the 40D to ISO 1000, and didn't want to risk more. So, I was left with marginal shutter speeds, and marginal shots.

These three told a nice story I thought, and arranging them in this mock matte all divert you from what is otherwise a slightly blurry, grainy shot.

Much thanks to the Adobe Photoshop CS3 Book for Digital Photographers.

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Alien Landscape (for a southern town)

For these parts of North Carolina, a few inches of snow is not only rare, but typically brings everything to an agonizing, encompassing, screeching halt.
 
 
 
And it is so relaxing, and beautiful.

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